John Ruskin

Praising Gothic ornament, Ruskin argued that it was an expression of the artisan’s joy in free, creative work. The worker must be allowed to think and to express his own personality and ideas, ideally using his own hands, not machinery.

We want one man to be always thinking, and another to be always working, and we call one a gentleman, and the other an operative; whereas the workman ought often to be thinking, and the thinker often to be working, and both should be gentlemen, in the best sense. As it is, we make both ungentle, the one envying, the other despising, his brother; and the mass of society is made up of morbid thinkers and miserable workers. Now it is only by labour that thought can be made healthy, and only by thought that labour can be made happy, and the two cannot be separated with impunity.[39]

This was both an aesthetic attack on, and a social critique of the division of labour in particular, and industrial capitalism in general. This chapter had a profound impact, and was re-printed twice, first by the Christian socialist founders of the Working Men's College and then by the arts and crafts pioneer and socialist, William Morris.[40]

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"It is impossible to conclude, of any given mass of acquired wealth, merely by the fact of its existence, whether it signifies good or evil to the nation in the midst of which it exists. Its real value depends on the moral sign attached to it, just as strictly as that of a mathematical quantity depends on the algebraic sign attached to it. Any given accumulation of commercial wealth may be indicative, on the one hand, of faithful industries, progressive energies, and productive ingenuities: or, on the other, it may be indicative of mortal luxury, merciless tyranny, ruinous chicanery." - John Ruskin, 1860